![]() ![]() Once everything is processed the audio tracks and be reassembled with the correct timing. In Resolve there is an audio only export option. ![]() The scratch track will essentially provide the timecode. Use the camera audio as the scratch track. Then start the process over with the second audio clip sync. Sync the first audio file with your video, mix and bounce the audio. You could try using the method you were success at getting to work but treat each audio file sync separately. It really only works with 1 audio file and one camera, but it sounds like that’s what you are trying to do.Ģnd option. I have pluraleyes 3.5 and 4 and have had some success with files that were given to me to sync. There are a few things you can try, but again using timecode may be your best workflow option. Thanks for your help ! I know I might have found these answer online or in the manual, but after several hours on this and a few call, I really need to have this fixed. adaptative 3) which is easier for editing, can I still work separatly on each tracks (in Fairlight?) and edit them ? One more question, if I have a single audio channel, with multiple tracks (ex. ![]() Moreover, it divied my audio file into 3 different channels instead of creating on with multiple tracks. I tried several conform option, but never worked. So I tried to sync with Pluraleyes and then export the timeline (XML), which worked fine, but when importing it into Resolve, it doesn't link the audio files from SX (it says timecode extent not matching). I start by importing all my files to the media pool, then I tried to auto-sync based on waveform, but sound tracks were renamed, they were cut if the video clip was shorter, and it was not even accurate ! I have one stereo channel on the camera, and MS-M + MS-S + mic. I shoot with a sony a7 and record with sonosax sx-r4. I'm trying to find a good workflow to sync and derush. ![]()
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